October 2007Issue 405



Maskarada

Bursting out into 're-Gypsification': Romania's Taraf de Haïdouks.

Bursting out into 're-Gypsification': Romania's Taraf de Haïdouks.

Ever since Taraf de Haïdouks burst out of Romania in the early 1990s, the 12-strong band of Gypsy lautari and their exuberant brand of traditional music has been a fixture on the world’s stages. But, rather than being ‘just’ another album of flamboyant tunes for accordions, violins and cimbaloms (this time with the Haïdouks’ first-ever female player, Virginica Dumitru), Maskarada is an album with a much-needed twist: re-Gypsification.

This may sound like a postmodern gimmick, but it’s not. Well aware that there is a long history of composers importing ‘Gypsy’ music into the classical tradition, the Haïdouks have used much of Maskarada to bring the music home. It’s an astoundingly original idea and it’s one that poses an intriguing dynamic. Bartok, de Falla and Khachaturian all succumb to the re-Gypsification treatment with a good grace that doesn’t result in some strange hybrid of orchestral sugariness and cod virtuosity. The band’s re-reinterpretation of the Romanian Folk dances that Bartok adapted have here a sombre, drunken elegance more suited to village square than concert hall. On Maskarada, the tunes are reunited with their original purpose. The tunes in ‘Suite Maskarada’, the finale, are very much of the Haïdouks’ creation, but they have a playful relationship to the album’s mission of de-classicalization, as the themes turn from formal statement to improvisational flourish. To say that that this album represented the return of the repressed would not be too far from the truth.

Product information
by Taraf de Haïdouks
Star rating
***
Product number
CRAW 40 CD
Publisher
Crammed Discs




also by...
THIS AUTHOR

The Adventures of Ghosthorse and Stillborn
A loose coalition of sounds and ideas

Shtetl Superstars
There is so much more to Jewish music than klezmer

Amam Imam

Folk Songs for the Five Points
Change is at the heart of this.

Language Tools
Powered by Ultralingua

Join over 10,000 people just like you. Get e-mail updates about new content, issue alerts, contests, and more!

other articles
FROM THIS ISSUE

Israel, Palestine and the hypocrisy of power
Noam Chomsky anatomizes the current US-Israel ‘project’.

Sri Lanka
Over two decades of conflict have bred a climate of impunity where human rights violations – killings and unexplained ‘disappearances’ of people – have become all too common.

‘Save our Slum!’
Resisting demolition of poor homes in Argentina.

Hawks become doves
Falconers use their influence to help save one of the oldest indigenous groups on the planet.

Cybercriminals, beware!
Code cracker gets four years in jail and loses rights to residency.

recently
IN THIS COLUMN

In the House of Mirrors
New instrumental album by Hector Zazou and Swara

Everything that Happens Will Happen Today
The second album by David Byrne and Brian Eno

Big Blue Ball
Peter Gabriel threw open the doors of his Real World studios in rural England and invited an enormous bunch of musicians – Sinead O’Connor, Marta Sebestyen, Papa Wemba, Guo Yue are just a few of them – to come and jam.

Hear, O Israel: A Prayer Ceremony in Jazz
17-year-old rabbi’s son – and fledgling composer – Joseph Klein lured one of the greatest names in jazz (Herbie Hancock) to join in performing a jazz prayer ceremony.

Umalali
The Garifuna Women’s Project from Central America

Alive
Chinese Mongolian ‘Björk’ steps into Tibet controversy






Voices from the margins:

Multimedia: video, podcasts, and more.