Viva Yasuni!

July 2008 - Issue 413

July 2008
Issue No. 413
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Endgame in the Amazon
Is Ecuador’s bold proposal not to exploit a billion barrels of oil in the Yasuní National Park a serious option for combating climate change? If so, the world is going to have to move fast, warns Vanessa Baird.

‘Speak to us first!’
People from the Ecuadorian rainforest tell Fabrício Guamán what they think of their Government’s proposal to leave petroleum in the ground.

Toxic blocks
No-one said oil was clean. But Ecuador’s experience of extracting fossil fuels is about as bad as it gets, reports David Ransom.

Costing the earth
Adam Ma’anit navigates the snakepits of global carbon trading in the context of Yasuní.

ACTION!
To save Yasuní, the oil must stay in the ground.

News, views, and & voices

NI Special Feature

As if _poetry_ mattered
Poems that confront human challenges – an international selection.

Currents

Cyclone survival
Women in Orissa, India, have ways of dealing with calamity

Planktos wiped out
Planktos – RIP

Starved by the system
The companies making a killing from the food crisis

Inside China’s prisons
It’s difficult to know for sure how many political prisoners there currently are in China, but it’s safe to say that there are thousands of them.

A kick in the balls
New Zealand intelligence gathering or US & NATO spy satellite?

Court in the act
Apartheid accomplices Coca-Cola, Barclays, BP et al are heading for court

Word power

The language of elections
by Mitchell & Richardson

Speechmarks

Benito Mussolini (1883-1945)
A speechmark on fascism

Seriously

Oz broadcaster goes the whole hog on eco guilt-tripping
Planet Slayer - how much do you suck?

Big Bad World

Global Warming Bush
Polyp takes the pen to G W Bush

Worldbeaters

John McCain
Presidential hopeful John McCain gets the treatment

Southern Exposure

Selvaprakash L
Blue eyes in a Bangalore stone quarry captured by photographer Selvaprakash L.

Making Waves

Indian Community Welfare Organization
on confronting HIV and AIDS in south India

Mixed Media - Film

Couscous (La Graine et Le Mulet)
Kechiche, like Fatih Akin, the Turkish-German film-maker, shows us how the lives of migrants and their children straddle cultures, and, like Akin’s Head-On, Couscous is passionate and earthy.

Killer of Sheep
A beautifully composed episodic study of Stan, a slaughterhouse worker, his family, friends and community.

Chocolate City
A wonderful documentary that tells the story of 400 families who were forced from their housing project in the shadow of Capitol Hill, Washington DC, by speculative development.

Mixed Media - Music

Mariza Box
For anyone interested in the past, present and future of this uniquely Portuguese melancholy, the Mariza Box is a handsome object containing Mariza’s three solo albums.

Mr Love & Justice
Bragg tempers the unfashionable humanity of his songs with a sad acknowledgement of current realities.

Mixed Media - Books

Taxi
The simple – and brilliant – premise of Khaled Al Khamissi's Taxi is to bring together 58 short fictional dialogues with some of Cairo’s 80,000 cab drivers, drawn from his own extensive experience of taxi journeys through this polluted, turbulent city.

Anarchy Alive!
Gordon is well-grounded in both anarchist theory and as an activist in Britain and his own country, Israel. He provides a useful examination of the movement in many ways at the heart of the resistance to contemporary war and globalization.

Essay

FOK-U: the Façade Of Kindness & Understanding
A seminar in effective leadership (PR & spin) by Peter Greenwall

Country profile

Timor-Leste
Timor-Leste’s landscape is still deeply scarred from the conflict that raged in 1999, after the Timorese population voted for independence from Indonesia.


 

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from
THIS MONTH'S EDITOR

It was Sam Martingell, one of our street campaigners, who sowed the seed for the main theme of this issue. He knew two young people who were desperate to communicate the wonders of Ecuador’s Yasuní rainforest, with a view to saving it and the cultures of its peoples from imminent destruction at the hands of oil companies.

Sam put the two – Ginés Haro Pastor and Georgina Donati – in touch with New Internationalist’s publications department. The result is a stunning photo book Yasuní Green Gold which will be published in September.

But we wanted to do more to draw attention to a potentially revolutionary proposal for tackling climate change: compensating oil-producing countries for loss of revenue as a result of their deliberately not exploiting fossil fuel reserves. Hence this month’s issue of NI, which we hope will help to explain the idea, stimulate interest, and save this ecologically crucial corner of the Western Amazon. The next few months are vital as the price of oil bites and the pressure on the Ecuadorian Government exerted by petroleum companies intensifies. But this could be the beginning of something quite momentous – a turning point not only for oil producing countries like Ecuador, but for all of us who would like to go on inhabiting this planet.

Also in this month’s issue of New Internationalist, we are venturing into a territory less common for a current affairs magazine – verse.  ‘As if poetry mattered’, is how NI co-editor – and poet – Dinyar Godrej puts it, and his international selection manages to be both refreshingly immediate and hauntingly relevant.

While on the subject of creativity, few manage the fusion of politics, passion and imagination as well as Billy Bragg, whose latest album is reviewed on our Mixed Media pages. And to show that even those with massive clout don’t always win, we report on how the combined power of President Bush, BP, Barclays, Coca-Cola and Ford have failed to squash a multimillion dollar lawsuit against major corporations accused of persecuting South Africans by doing business with the apartheid regime. To find out what’s happening to the groundbreaking case, launched by former political prisoner Lungisile Ntsebeza and others, look at this month’s Currents section.

From the New Internationalist Co-operative

PS  We would like to thank the Municipal Government of Orellana, Ecuador, for allowing us to use the pictures of Yasuní that appear in this magazine.